We human beings are meaning makers. One way we try to make sense of it all, to find meaning, is through story. Religion at it’s best is about telling stories. Our personal stories and our stories about we as a people.
Our lives are made up of all kinds of stories, that tell us who we are. We connect with one another through the telling of these stories. We all have our stories and we love to hear stories. Stories come in a variety of form too. Poetry is often a kind of story. A good poet will see something and tell us a story through the art of poetry.
Here is wonderful example by Billy Collins, on the art of storytelling through poetry, “Aristotle”.
“Aristotle” by Billy Collins
This is the beginning.
Almost anything can happen.
This is where you find
the creation of light, a fish wriggling onto land,
the first word of Paradise Lost on an empty page.
Think of an egg, the letter A,
a woman ironing on a bare stage
as the heavy curtain rises.
This is the very beginning.
The first-person narrator introduces himself,
tells us about his lineage.
The mezzo-soprano stands in the wings.
Here the climbers are studying a map
or pulling on their long woolen socks.
This is early on, years before the Ark, dawn.
The profile of an animal is being smeared
on the wall of a cave,
and you have not yet learned to crawl.
This is the opening, the gambit,
a pawn moving forward an inch.
This is your first night with her,
your first night without her.
This is the first part
where the wheels begin to turn,
where the elevator begins its ascent,
before the doors lurch apart.
This is the middle.
Things have had time to get complicated,
messy, really. Nothing is simple anymore.
Cities have sprouted up along the rivers
teeming with people at cross-purposes—
a million schemes, a million wild looks.
Disappointment unshoulders his knapsack
here and pitches his ragged tent.
This is the sticky part where the plot congeals,
where the action suddenly reverses
or swerves off in an outrageous direction.
Here the narrator devotes a long paragraph
to why Miriam does not want Edward's child.
Someone hides a letter under a pillow.
Here the aria rises to a pitch,
a song of betrayal, salted with revenge.
And the climbing party is stuck on a ledge
halfway up the mountain.
This is the bridge, the painful modulation.
This is the thick of things.
So much is crowded into the middle—
the guitars of Spain, piles of ripe avocados,
Russian uniforms, noisy parties,
lakeside kisses, arguments heard through a wall—
too much to name, too much to think about.
And this is the end,
the car running out of road,
the river losing its name in an ocean,
the long nose of the photographed horse
touching the white electronic line.
This is the colophon, the last elephant in the parade,
the empty wheelchair,
and pigeons floating down in the evening.
Here the stage is littered with bodies,
the narrator leads the characters to their cells,
and the climbers are in their graves.
t is me hitting the period
and you closing the book.
It is Sylvia Plath in the kitchen
and St. Clement with an anchor around his neck.
This is the final bit
thinning away to nothing.
This is the end, according to Aristotle,
what we have all been waiting for,
what everything comes down to,
the destination we cannot help imagining,
a streak of light in the sky,
a hat on a peg, and outside the cabin, falling leaves.
Way, way before the Jospeh Campbell outlined the eleven stages of the “Heroes Journey” and the wonderful Kurt Vonnegut illustrated the shape of stories, with practical beauty and humour, it was Aristotle who formulated the notion that a story must have a beginning, a middle, and an end. Now of course we clever people who live today would say, well obviously. That said what goes without saying today, had to be said by someone in the first place and then repeated over and over again, just like any good story. The best stories are not heard the once, they are repeated again and again and again.
Phil Cousineau believes that stories save our souls. In “The Oldest Story in the World: A Mosaic of Meditations on the Secret Strength of Stories” he observed that this much he knew:
"Every day we have at least one gut-check moment. Every day we are asked, 'Do you want to hear a story?' A hundred times a day our deeper life awaits our signal that, yes, we are listening. Whether we are camped around a fire on the Comanche Moon trail, sitting in the literary salons of Gertrude Stein and Alice B. Toklas on the Rue des Fleurs in Paris, craning our necks during a Hollywood studio script meeting, cosseting our children by reading out loud to them from the great round of Harry Potter adventures, or trading old baseball stories in the stands with old teammates, we are responding to the blue longing in our restless souls to be carried away by the kind of story that makes life worth living.”
Our lives are made up of stories. This is what we do. We tell and we listen to stories. As the poet Muriel Rukeyser remarked 'The world is made up of stories, not atoms.'
Stories are not fact, they are not history, they are “Mythos”. They reveal a deeper universal “truth” that all people can connect to regardless of time and place. Mythos reveals a deeper “truth” about the human condition and nature of reality. They help us engage in the conversational nature of existence. A story is a deep conversation with life that enables us to connect more deeply to the meaning in life. Even good history is really about the telling of stories, it is not just prosaic fact. History comes alive by the telling of the stories within the events
Stories and story-telling have been distilling wisdom throughout the generations and I have no doubt that this will continue on into eternity. Yes, a good story has a beginning, a middle and end, Aristotle revealed this truth. The absolute truth is that as story ends, it goes on, it begins again. As Limahl sang it’s a “Neverending Story”.
Here is a never-ending story. It is taken from “Concentration and Compassion: More Stories from the World’s Spiritual Traditions” by my friend and retired colleague Rev Bill Darlison. It goes by the title
“The Endless Story”
In the Far East there was a great king called Calapha who had no work to do. Every day, and all day long, he sat on soft cushions and listened to stories. And no matter what the story was about, he never grew tired of hearing it, even though it was very long. “There is only one fault that I find with your story,” he often said: ‘It is too short.’
All the story-tellers in the world were invited to his palace, and some of them told tales that were very long indeed. But the king was always sad when a story was ended.
At last he sent word into every city and town and country place, offering a prize to anyone who should tell him and endless tale. He said, ‘To the man that will tell me a story which shall last forever, I will give Zaidee, my fairest daughter, for his wife; and I will make him my heir, and he shall be king after me.’
But this was not all. He added a very hard condition. “If any man shall try to tell such a story, and then fail, he shall have his head cut off.’
Zaidee was very pretty, and there were many young men in that country who were willing to do anything to win her. But none of them wanted to lose their heads, and so only a few tried for the prize.
One young man invented a story that lasted three months, but at the end of that time, he could think of nothing more. His fate was a warning to others, and it was a long time before another story-teller was so rash as to try the king’s patience.
But one day a stranger from the South came into the palace.
‘Great king,’ he said, ‘is it true that you offer a prize to the man who can tell a story that has no end?’
‘It is true,; said the king.
‘And shall this man have your fairest daughter for his wife, and shall he be your heir?’
‘Yes, if he succeeds,’ said the king. ‘But if he fails, he shall lose his head.’
‘Very well, then,’ said the stranger. ‘I have a pleasant story about locusts which I would like to relate.’
‘Tell it’ said the king. ‘I will listen to you.’
The story teller began his tale. ‘Once upon a time a certain king seized upon all the corn in his country, and stored it away in a strong granary. But a storm of locusts came over the land and saw where the grain had been put. After searching for many days they found on the east side of the granary a crevice that was just large enough for one locust to pass through at a time. So one locust went in and carried away a grain of corn; then another locust went in and carried away a grain of corn; then another locust went in and carried away a grain of corn.’
Day after day, week after week, the man kept on saying, ‘Then another locust went in and carried away a grain of corn.’
A month passed; a year passed. At the end of two years, the king said, ‘How much longer will the locust be going in and carrying away corn?’
‘O king! Said the story-teller, ‘they have as yet cleared only one small corner; and there are millions more grains of corn in the granary.’
‘Stop, Stop!’ cried the king, ‘You will drive me mad. I can listen to it no longer. Take my daughter; be my heir; rule my kingdom. But do not let me hear another word about those horrible locusts!’
And so the strange story-teller married Princess Zaidee, and he lived happily ever after in the land for many years. But his father-in-law, the king, had had enough of the endless stories.
One of my great pleasures is listening to people’s stories. I mentioned last week that I listened to 105 year old man tell his story. It was a beautiful experience as he spoke so eloquently, for 45 minutes, about his 70 years of recovery. He talked about many trials and tribulations as well as loves and joys he had experienced in such a long life. He spoke mainly about love and forgiveness. There seemed not a hint of regret and or pity in his voice. He shone like a light and had the most amazing skin. If you could manufacture what he had as a beauty company you would make a fortune. You cannot though. The feeling I got was of a man still looking forward to whatever story he still had to live. His story will one day end, but not just yet.
I was invited to share my story the other day. Afterwards a young man approached me and said he had heard my story before, even though we had ever met. As he listened to me he said he had heard my story before. Here was three years later a new person to recovery and heard my story from my moth. Apparently what he had heard had stayed with him and eventually prompted him to act. We came together that day and he heard and connected with it. I could have wept, but instead I just simply smiled.
Here is a classic parable from the New Testament on “Love and Forgiveness”, from Luke’s Gospel Chapter 15 vv 11-32
The Parable of the Prodigal and His Brother
11 Then Jesus[a] said, “There was a man who had two sons. 12 The younger of them said to his father, ‘Father, give me the share of the wealth that will belong to me.’ So he divided his assets between them. 13 A few days later the younger son gathered all he had and traveled to a distant region, and there he squandered his wealth in dissolute living. 14 When he had spent everything, a severe famine took place throughout that region, and he began to be in need. 15 So he went and hired himself out to one of the citizens of that region, who sent him to his fields to feed the pigs. 16 He would gladly have filled his stomach[b] with the pods that the pigs were eating, and no one gave him anything. 17 But when he came to his senses he said, ‘How many of my father’s hired hands have bread enough and to spare, but here I am dying of hunger! 18 I will get up and go to my father, and I will say to him, “Father, I have sinned against heaven and before you; 19 I am no longer worthy to be called your son; treat me like one of your hired hands.” ’ 20 So he set off and went to his father. But while he was still far off, his father saw him and was filled with compassion; he ran and put his arms around him and kissed him. 21 Then the son said to him, ‘Father, I have sinned against heaven and before you; I am no longer worthy to be called your son.’[c] 22 But the father said to his slaves, ‘Quickly, bring out a robe—the best one—and put it on him; put a ring on his finger and sandals on his feet. 23 And get the fatted calf and kill it, and let us eat and celebrate, 24 for this son of mine was dead and is alive again; he was lost and is found!’ And they began to celebrate.
25 “Now his elder son was in the field, and as he came and approached the house, he heard music and dancing. 26 He called one of the slaves and asked what was going on. 27 He replied, ‘Your brother has come, and your father has killed the fatted calf because he has got him back safe and sound.’ 28 Then he became angry and refused to go in. His father came out and began to plead with him. 29 But he answered his father, ‘Listen! For all these years I have been working like a slave for you, and I have never disobeyed your command, yet you have never given me even a young goat so that I might celebrate with my friends. 30 But when this son of yours came back, who has devoured your assets with prostitutes, you killed the fatted calf for him!’ 31 Then the father[d] said to him, ‘Son, you are always with me, and all that is mine is yours. 32 But we had to celebrate and rejoice, because this brother of yours was dead and has come to life; he was lost and has been found.’ ”
The great sages like Jesus and the Buddha excelled in storytelling. They knew how to relate to and reach people, that a story could open them up, that it could put flesh on the word. Shaman and elders of other traditions shared this wisdom, as they told their tales around the campfires and gatherings. They drew their listeners to deeper visions of life with imagery and symbolism. The storyteller has always been with us and is with us today. Today everyone is a story teller. On social media we have our stories, they are designed to be shared. Like all classic tales, these stories are an interesting mixture of the good and bad, the negative and the positive, the light and dark.
The old stories were not just entertainment, they were trying to teach something about the nature of humanity and life itself, they had a kind of morality about them, an ethic a meaning,. Some say that today this narrative has almost disappeared.
Post-modernism would claim that today there is no longer one narrative. The French philosopher Jean-Francois Lyotard has defined post-modernism as ‘the death of metanarrative’. He claimed that we no longer have nor need the big stories ‘that tell us who we are, where we come from, and what we are called to do.’
Personally, I am not convinced by this argument as I do see universal qualities in all these tales. Whether it’s the one I hear from friends and family, or the one I see on the big screen, or the one I read in some ancient text. The stories may be told in different ways but they still connect us with one another through time and space. They do more than connect us though, they heal us, they renew us and spur us on to greater things. Regardless of when they were first told and by who they still have the capacity to tell us who we are, where we come from and what we are called to do.
Here's a favourite story from my favourite character, someone I can relate to.
“One afternoon, Nasruddin and his friend were sitting in a cafe, drinking tea and talking about life and love. His friend asked: ‘How come you never married?’
‘Well,’ said Nasruddin, ‘to tell you the truth, I spent my youth looking for the perfect woman. In Cairo I met a beautiful and intelligent woman, but she was unkind. Then in Baghdad, I met a woman who was a wonderful and generous soul, but we had no common interests. One woman after another would seem just right, but there would always be something missing. Then one day, I met her; beautiful, intelligent, generous and kind. We had very much in common. In fact, she was perfect!’
‘So, what happened?’ asked Nasruddin’s friend, ‘Why didn’t you marry her?’
Nasruddin sipped his tea reflectively. ‘Well,’ he replied, ‘it’s really the sad story of my life…. It seemed that she was looking for the perfect man…’ “
I love Nasruddin, the holy fool. You will find characters like him in most cultures. Through humour they reveal deep truths, ones that are too often hidden.
Humour is something that helps us through the great trials of life. Many of the great stories have laughter and humour within them. Sadly humour can be absent in the spiritual life, it ought not to be. There is something lacking in a spirituality that takes itself too seriously. The spiritual life can at times be perceived as an arid and serious world, utterly devoid of humour and lightness. Many of us look at the spiritual, the religious life, as if were a dose of rather distasteful medicine. We may well see the benefits of it, but aren’t sure we would like the way it tastes. We are frightened that it might actually reduce our experience of life. We can easily become too intense and earnest in our approach to spirituality; by doing so we can view laughter as sacrilegious and end up apologising for the freedom that it can breed. We should never apologise for experiencing joy and laughter. The spiritual life needs humour. There is humour in the ancient tales, so surely there is a place for it in our age. There is always room for Divine humour. “Life is too serious to be taken too seriously.”
As we come towards the end of this adventure in story I wonder what your story is. What is the story that speaks to you and of you? Where do you find yourself, what gives you the permission to simply be? What is your favourite story. Here is one of mine:
It comes from "Have a Little Faith" by Mitch Albom.
“A man seeks employment on a farm. He hands his letter of recommendation to his new employer. It reads simply, `He sleeps in a storm.’
The owner is desperate for help, so he hires the man.
Several week pass, and suddenly, in the middle of the night, a powerful storm rips through the valley.
Awakened by the swirling rain and howling wind, the owner leaps out of bed. He calls for his new hired hand, but the man is sleeping soundly.
So he dashes off to the barn. He sees, to his amazement, that the animals are secure with plenty of feed. He runs out to the field. He sees the bales of wheat have been bound and are wrapped in tarpaulins. He races to the silo. The doors are latched, and the grain is dry.
And then he understands.
`He sleeps in a storm.’
My friends, if we tend to the things that are important in life, if we are right with those we love and behave in line with our [beliefs], our lives will not be cursed with the aching throb of unfulfilled business. Our words will always be sincere, our embraces will be tight. We will never wallow in the agony of `I could have, I should have.’ We can sleep in a storm.
And when it’s time, our good-byes will be complete.”
In “Crow and Weasel” Barry Lopez said
“The stories people tell have a way of taking care of them. If stories come to you, care for them. And learn to give them away where they are needed. Sometimes a person needs a story more than food to stay alive. That is why we put these stories in each other’s memory. This is how people care for themselves.”
I will continue to listen to the stories and when they come to me I will nurture them, I will take care of them and I will continue to give them away, we all need them. I ask that you do the same, because by doing so we will better take care of ourselves.
I will continue telling the tale and I will listen as you tell yours. For the story goes on and on. The story is never ending.
So I will leave you with a question to ponder. What is your story? What is the story that speaks to you and of you?
Please find below a video devotion based on the material in this "Blogspot"
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