Monday, 21 September 2026

Universalism: How these three have inspired me


I’m going to begin with something I first heard when I was training for the ministry. It was written as the author was dying and this and much of his work have inspired my ministry. It is titled “The Cathedral of the World: A twenty-first-century theology, based on the concept of one light and many windows” by Forrest Church

Imagine awakening one morning from a deep and dreamless sleep to find yourself in the nave of a vast cathedral. Like a child newborn, untutored save to moisture, nurture, rhythm, and the profound comforts at the heart of darkness, you open your eyes onto a world unseen, indeed unimaginable, before. It is a world of light and dancing shadow, stone and glass, life and death. This second birth, at once miraculous and natural, is in some ways not unlike the first. A new awakening, it consecrates your life with sacraments of pain you do not understand and promised joy you will never fully call your own.

Such awakenings may happen only once in a lifetime or many times. But when they do, what before you took for granted is presented as a gift: difficult, yet precious and good. Not that you know what to do with your gift, or even what it really means, only how much it matters. Awakening to the call stirring deep within you, the call of life itself—the call of God—you begin your pilgrimage.

Before you do, look about you. Contemplate the mystery and contemplate with awe. This cathedral is as ancient as humankind, its cornerstone the first altar, marked with the tincture of blood and blessed by tears. Search for a lifetime—which is all you are surely given—and you shall never know its limits, visit all its transepts, worship at its myriad shrines, nor span its celestial ceiling with your gaze. The builders have worked from time immemorial, destroying and creating, confounding and perfecting, tearing down and raising up arches in this cathedral, buttresses and chapels, organs, theaters and chancels, gargoyles, idols and icons. Not a moment passes without work being begun that shall not be finished in the lifetime of the architects who planned it, the patrons who paid for it, the builders who construct it, or the expectant worshipers. Throughout human history, one generation after another has labored lovingly, sometimes fearfully, crafting memorials and consecrating shrines. Untold numbers of these today collect dust in long undisturbed chambers; others (cast centuries or eons ago from their once respected places) lie shattered in shards or ground into dust on the cathedral floor. Not a moment passes without the dreams of long-dead dreamers being outstripped, crushed, or abandoned, giving way to new visions, each immortal in reach, ephemeral in grasp.

Welcome to the Cathedral of the World.

Above all else, contemplate the windows. In the Cathedral of the World there are windows beyond number, some long forgotten, covered with many patinas of dust, others revered by millions, the most sacred of shrines. Each in its own way is beautiful. Some are abstract, others representational; some dark and meditative, others bright and dazzling. Each tells a story about the creation of the world, the meaning of history, the purpose of life, the nature of humankind, the mystery of death. The windows of the cathedral are where the light shines through.

As with all extended meta­phors for meaning, this one is imperfect. The Light of God (or Truth or Being Itself, call it what you will) shines not only upon us, but out from within us as well. Together with the windows, we are part of the Cathedral, not apart from it. Together we comprise an interdependent web of being. The Cathedral is constructed out of star stuff, and so are we. We are that part (that known part) of the creation that contemplates itself, part of the poem that we ponder. Because the Cathedral is so vast, our life so short and our vision so dim, we are able to contemplate only a tiny part of the cathedral, explore a few apses, reflect upon the play of light and darkness through a few of its myriad windows. Yet, since the whole (holographically or organically) is contained in each of the parts, as we ponder and act on the insight from our ruminations, we may discover insights that will invest our days with meaning and our lives with purpose.

A twenty-first-century theology based on the concept of one Light and many windows offers to its adherents both breadth and focus. Honoring many different religious approaches, it only excludes the truth-claims of absolutists. That is because fundamentalists claim that the Light shines through their window only. Some go so far as to beseech their followers to throw stones through other people’s windows.

Skeptics draw the opposite conclusion. Seeing the bewildering variety of windows and observing the folly of the worshipers, they conclude that there is no Light. But the windows are not the Light. They are where the Light shines through.

We shall never see the Light directly, only as refracted through the windows of the Cathedral. Prompting humility, life’s mystery lies hidden, beyond knowledge’s most ample ken. The Light (God, Truth) is veiled. Yet, that we can encompass with our minds the universe that encompasses us is a cause for great wonder. I humbly stand in the Cathedral of the World trembling with awe.

Some people have trouble believing in a God who looks into any eyes but theirs. Others have trouble believing in a God they cannot see. But that none of us can look directly into God’s eyes certainly doesn’t mean God isn’t there, mysterious, unknowable, gazing into ours, gazing through the windows of the Cathedral of the World.

Get’s me every time.

I been given the honour and great responsibility to lecture at Unitarian Academy Prague Educational retreat from 14th until 18th October and lead worship at the International Unitarian Church on the Sunday. I was invited to attend in 2020 but obviously could not physically attend as we were in lockdown. So, I delivered the lectures online, but didn’t get to visit Prague

I have been asked to speak on several subject. One being to pick three Unitarian personalities who have inspired me and describe what I believe their significant contributions are. It took me a while, but I have come up with three. One is Joseph Priestley, another Dilworth Lupton and the third Forrest Church. Now those who know me well will not be surprised to hear me speak of Priestley and Forrest Church, but I would be surprised if any listening to this will have heard of Rev Dilworth Lupton.

I will begin with Joseph Priestley, perhaps the most significant figure in the development of the Unitarian tradition. I have a personal affection and connection to Priestley. We come from the same place, Birstall in West Yorkshire. We went to the same school Batley Grammar School. There is a huge statue of Priestly in Birstall market Place, he dominates it. Growing up it was Priestley the scientist that we heard about, not the radical minister. I have no recollection of this ever being mentioned. As we used to say, half joking “he was the man who invented oxygen”. Yes, I know that is silly, he invented carbonated water and isolated and understood what oxygen was. Discoveries he made during his spare time whilst minister at Mill Hill Chapel in Leeds.

Priestley was the classic Enlightenment polymath. He published almost two hundred works on natural philosophy, theology, metaphysics, political philosophy, politics, education, history and linguistics. Despite his scientific discoveries he viewed himself primarily as a minister, theologian and teacher. Priestely was central to the development and promotion of Unitarian theology in the UK and to a degree the USA too. He had to flee there from England. It is his view of human nature and sin that is key for me. From a young age he had serious theological doubts about his Calvinist upbringing particularly around the concept of the “Original Sin” of Adam and new life and salvation through Jesus. Priestley proposed a new translation of scripture he believed that human attainment of truth was gradual and fluid, that knowledge ought never be allowed to stagnate. At the heart of his theological understanding was that human beings were capable of reaching the perfect understanding attained by Christ. This is because Jesus was wholly human. That although we didn’t achieve this, it is within our capacity. Due to this understanding reason led him to rejecting both the Trinity and Substitutional Atonement.

It is this idea of human capacity that is key for me. I have always been concerned with the struggle so many experience and the view that at the heart of them there is something wrong, I have suffered with this for large parts of my life. Priestley reasoned that we have the capacity to change and that we are not fallen in nature.

I believe that there is that Divine light within each of us and that it is our task to bring this to life and to inspire others to do the same. This is a salvation if you like. Not so much to the next life, but this life. In many ways this is central to my view of ministry., to encourage folk to be all that they are capable of being, not merely for themselves, but for the good of all.

A few years ago, a friend in Alcoholics Anonymous sent me a sermon preached on November 26, 1939 by Rev Dilworth Lupton at the First Unitarian Church, Cleveland, Ohio. Rev Joe Cherry, who spent a short time in Manchester when we were both training for the ministry, was minister there for several years. He told me that Alcoholics Anonymous began there. Now this is not actually true, although the locals do claim it. The history is a little more complex than that. The sermon was made into an early AA pamphlet in the area and was published along with others in the local newspapers. Dilworth Lupton played a major role in AA’s early acceptance and incredible expansion in the area. Lupton had originally been reluctant to become involved as there had been a connection to the Oxford Groups of the day, but the alcoholics removed themselves and once this happened he was on board, certainly in Cleveland.

Dilworth Lupton noted four principle aspects of the fellowship and their members. the first being spiritual dependence on something beyond their mere human will. Now what impressed Lupton was this was not prescribed to them, but for each individual to make sense of themselves. The second being “Universality”, that the groups were open to anyone regardless of background or of belief or lack of. The third being “Mutual Aid” That they truly were a fellowship of people who gave of themselves to help one another and those who still struggled. Finally, the principle of transformation” That something was happening in the lives of these people that was not only dispelling their alcoholic obsession, but transforming their lives. They were saved, found salvation, in this life, not the next.

Towards the end of the sermon Rev Lupton offered the following advice to Alcoholics Anonymous:

“One final word to the members of Alcoholics Anonymous. Go back to your synagogues and churches; they need you and you need them. Preserve your principle of Universality, your faith that all religion is one. Never allow yourselves to be absorbed by any single church or sect. Keep your movement what you call it now, a “layman’s outfit.” Avoid over-organization for religious organizations always tend to follow the letter rather than the spirit, finally crushing the spirit. Remember that early Christianity was promoted not by highly involved organization, but by the contagion of souls fired with enthusiasm for their cause. And keep your sense of humor! So far you do not seem afflicted with the curse of over-seriousness.”

It seems that they continued to follow his advice, for they have remained this way.

I love the way that Dilworth Lupton highlights the openness and modern day Universalism at the heart of the principles of Alcoholics Anonymous. Something I found myself. I began my own spiritual journey nearly a quarter of a century ago there. This led me on a journey of exploration that eventually led me to Unitarianism and then ministry. Without realising it at the time that early promotion of AA by Rev Lupton played a role in so much good.

Whilst I was training for the Unitarian ministry I heard Forrest Church’s “Cathedral of the World”. It is the introduction to his book, by the same title, written as he was dying from esophageal cancer. This and another he wrote at the same time “Love and Death: My Journey Through the Valley of the Shadow” were central to my formation into Unitarian ministry. It was coming to terms with a heartbreaking grief that drew me into ministry, Grief and the love we leave behind has been central to my faith and service these past 16 years. It is also key to my concept of salvation in this life, that all life is sacred, that everything we do and everything we do not do really matters. As Forrest Church wrote himself:

“What I'm talking about here, by the way, is salvation. The latin root, salve, means 'health.' The Teutonic cognates 'health' and 'holy' share the same root. Being agnostic about the afterlife, I look for salvation here - not to be saved from life, but to be saved by life, in life, for life…”

And later on “About life after death, no-one knows. But about this we surely know: there is love after death... Centuries from now, the last tracings of our being will yet express themselves in little works of love that follow bead by bead in a luminous catena extending from our dear ones out into their world and then on into the next, strung by our own loving hands.”

It was though his vision of a 21st Century Universalism, that caught my imagination.

Forrest asks us to imagine the whole of humanity standing under the ceiling of the cathedral of the world. Around this cathedral are millions of stained glass windows. There is a light outside of the cathedral shining through all of the windows; this is the light of truth, the light of God. No one inside is able to stare at the light directly, we all see it passing through a stained glass window. Each of the windows distorts the light in some way; they only allow some of the light to pass through. Sometimes the light is refracted, by the tinted windows and occasionally it is blocked by the opaque aspects of each window. In some places the light is almost completely obscured. Just as importantly though he also says that the light shines out from us, this links me right back to Priestley and what I understand as finding that of the Divine within each of us. That we do not need to go out to connect to Divinity, that we are not awaiting salvation. His Universalism also links me back to Rev Lupton’s understanding at what was at the heart of the spirituality of Alcoholics Anonymous.

The Cathedral of the world metaphor is an attempt to describe a 21st century Universalist theology, one that speaks powerfully to me. There is one light but there are many windows through which we can get a glimpse of the light. Each window is unique in its own way; each window is different; but none gives us a perfect image of the light. Each window is representing different religions, different ideologies, different philosophies, different dogmas, different views about life, the universe, everything. The key is to understand that each window has been fashioned by human hands, often with great skill, imagination, beauty, intelligence and artfulness that said through no one window is the light seen perfectly.

Now the danger is that from where we view our particular perspective on the light we can begin to believe that what we see is the absolute truth and that the light only shines through our window. That only our window offers the true representation of the light. That what others see through their window is false, even stupid and irrational. Forrest Church’s Universalism though is saying something very different. He is saying that each window conveys part of the truth and that no one window has a monopoly on the truth. He is echoing the words of the great twentieth century liberal theologian Paul Tillich who said “That which reveals also hides”.

I love Forrest vision of a 21st Century Universalist theology.

The light of Universalism continues to speak powerfully to me. I remember once describing myself as a Universalist to a friend, they asked me “What kind of Universalist I was?” I paused and thought for a moment and then I answered “I am a Universalist, Universalist”. I remembered at the time they looked at me as if I were a little mad, this is not the first time this has happened. So, I explained that I was a Universalist in the old sense. I do not believe in hell and damnation. That the God of my limited understanding would never condemn anyone to an eternity in Hell; I do not believe that some are saved and others are unsaved. I believe that God has an intimate love for all, that if there is a hell it is a state of being that can be experienced within life. I talked about the "Prodigal Son" parable, and I also spoke of my belief that this love is always there waiting for us. I also said that I was a universalist in a more modern understanding too in that I see truth in so many other traditions. That none can reveal the whole truth, that they are windows that let some of the light through. I also talked of a belief in the interconnectedness of all life and that all that happens and does not happen matters. That divinity is present within everything, a kind of Universal Love I suppose. So, I am a Universalist in three senses at least. I am actually a Universalist, Universalist, Universalist, I believe in a Hope that helps.

I can see how my present faith has been shaped in different and complimentary ways by the three figures Joseph Priestley, Dilworth Lupton and Forrest Church. They have helped form my spiritual understanding. They were also highly influential in their own right both within the Unitarian tradition, but also beyond. I hope they speak to you as they have spoken to me.

Please find below a video devotion based on the material in this "Blog Spot"




Monday, 14 September 2026

Dolly and Wendell Berry: Lives that Inspire Us

I’m going to begin with one of my favourite poems by Wendell Berry. I think that this more than any other poem has brought me solace in times of struggle, in pain and in suffering. I not only read the poem, but follow the instruction. I come into the peace of wild things; I rest in the grace of the world and I am free. I remember I re-feel that I am a part of everything, a creature like everything else and I belong once more.





"The Peace of Wild Things" by Wendell Berry

""When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children's lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free."

"The Peace of Wild Things"


I enjoyed “Summer School” immensely this year. The theme was ‘Doing Our Best’, inspired by a quote from Maya Angelou: “Do the best you can until you know better. Then when you know better, do better.” I co-led an engagement group with the wonderful Rev. Tina Gandhi based on the following lines from Mary Oliver’s poem Wild Geese: “You do not have to be good. You do not have to walk on your knees for a hundred miles through the desert repenting.” It was a deeply moving week and we explored with depth, creativity, music, and humour.

Something I wanted to explore was the fact that an awful lot of people think there is something fundamentally wrong with them. I certainly experienced this from an early age. Why so many feel this way isn’t always easy to explain, but it is a common one, and it has certainly been exploited by unhealthy religion and the secular world too. The advertising industry exploits the idea that you can purchase the perfect life.

There were many inspirational theme talks throughout Summer School. The talk by Raj and Emma from Leeds truly got to the heart of the whole week for me. They spoke about how Maya Angelou never actually uttered the words I quoted above to Oprah Winfrey. Instead in private, after Oprah shared something she was deeply ashamed of, Maya said, “You did then what you knew how to do, and when you knew better, you did better.” Maya wasn’t instructing Oprah to do better, but recognising Oprah’s humanity, her capacity to change, and the goodness at the heart of her.

‘Doing better’ is about experiencing what we are capable of becoming, and we need to go deeper to do so. It’s not just about knowing more, but bringing more of our shared humanity to life. It takes trusted community and friends to do this. It is not enough to simply learn about it - we need to experience it.

I believe there is a goodness at the heart of everything, including you and me. It doesn’t mean that we do no wrong, and never cause harm. Rather that this goodness can be brought alive through our humble, human being. I experienced this once again recently during a week in the hills of Derbyshire, with 60 or more folk sharing together and simply doing their best, to become what they were always born to be.

Sometimes it can be hard to see our capacity to be our best; sometimes it takes another to inspire us to do so, to become the best we can be, to do better. Sometimes it takes inspiration. We can all be inspirations, as I believe we all have that spirit within us.

But what does it mean to be an inspiration? You may well ask. Well the word inspiration is an interesting one, as so many are. We have, as is our way, reduced its meaning in power. It’s another one of those words that we have attempted to tame. Today it means someone or something that gives you an idea for doing something, but originally it meant “immediate influence of God or a god”. It comes from the old French word “inspiriacion” meaning “inhaling in or breathing in from the Latin “inspirare” meaning to blow into or breath upon so as to excite or inflame. This is the meaning in the following verse from Genesis Chapter 2 “And the Lord God formed man of the dust of the ground, and breathed into his nostrils the breath of life, and man became a living soul.” It really meant to infuse or animate to affect to rouse to guide to put life into the human soul. As you can see it meant something much more profoundly powerful in the past that it does today.

That said I believe that we can and do inspire in this way and in so doing we can bring the kingdom to life in our own hearts and lives. We can ignite that divine spark.

I believe that this is what Albert Schweitzer meant when he said:

“Sometimes our light goes out but is blown again into flame by an encounter with another human being. Each of us owes the deepest thanks to those who have rekindled this inner light.”

Those who rekindle the light are the inspirers amongst us.

Social media algorithms are mysterious things. My YouTube suggestions are a deeply eclectic mix. It recently popped up a short film exploring the origins of my favourite cartoon character “Foghorn Leghorn”. I suspect that this is because I had watched some of his cartoons recently and I also have an interest in the origins of things. Who knows what inspires such things.

I learnt that Foghorn Leghorn was inspired by the character Senator Claghorn who was a fiction southern politician on a popular American radio show. Foghorn adopted many of Claghorn's catchphrases, such as "I say..." and "That's a joke, son!"

"Foghorn Leghorn"


 
He was a large and larger than life character, far too confident in his own abilities. He would wander around singing “Campdown Races” etc and generally stepping over everything and making a mess. I am certain Foghorn leghorn was in turn the inspiration of the Coronation Street character Fred Elliott and his catchphrase “O say, I say, our Ashley”

Foghorn Leghorn is a caricature of a loud and brash southern American gentleman. Someone no doubt who is mocked and held up to ridicule. A Caricature is a caricature it is nothing more than that. Prejudice and stereotyping is never a good thing. Sometimes folks from that part of the USA are considered to be a certain way and displaying certain characteristics. Now while this maybe true of some people it is not true of all.

Two truly inspirational people born of the south of the USA have died in recent weeks. They were well loved and lived out their personal spiritually in their unique and individual styles. They embodied beautifully what it means to live by the spirit of love and deep empathy, an attribute that has become under some attack in recent years, something I find astonishing. In my view if we lose empathy we are done for.

One was a daughter of Tennessee Dolly Parton and the other a son of Kentucky Wendell Berry. They couldn’t have been more different in personality and the way they lived their lives. That said at the heart of them was that same spirit, it inspired their lives and their love and care. As Dolly said “I always just thought if you see somebody without a smile, give ’em yours!” and as Wendelly Berry said “Love is never abstract. It does not adhere to the universe or the planet or the nation or the institution or the profession, but to the singular sparrows of the street, the lilies of the field, ‘the least of these my brethren.’ Love is not, by its own desire, heroic. It is heroic only when compelled to be. It exists by its willingness to be anonymous, humble, and unrewarded.”

Dolly and Wendell Berry shone like two bright stars from opposite ends of universe, the spectrum of love in its many manifestations. They followed very different paths, but they followed their own stars, they were uniquely and authentically themselves. The Gospel according to Dolly was that the work of life is to “find out who you are, and then do it on purpose.” Dolly on the surface was rhinestone and hairspray whilst Wendell Berry was all about the earth and the plough and yet there was a soulfulness in their melodic language, they embodied love through their human being. They were both holy in their own unique ways.

Dolly was a prolific singer/songwriter and entrepreneur who lived her life her own way. She dedicated herself to causes that were close to her heart, particularly childhood education and literacy. This began in her home Sevier County in Tennessee, spread throughout America and all over the world. I saw a clip of her speaking and reading with children in Rotherham south Yorkshire while I was researching for this service. She has gifted something like 330 million books to under 5’s. This was inspired wholly by empathy and the pain of her own father’s illiteracy. Dolly’s world was a big welcoming tent, she accepted people as they were. In a 1997 Out Magazine interview, she was asked about embracing LGBTQ fans while maintaining a country audience that included the religious right. “It’s two different worlds, and I live in both and I love them both, and I understand and accept both.” Dolly Parton was deeply rooted in her own identity, but open and embracing of others. As she said to her God daughter Miley Cyrus whenever they got into discussion “You be you and I’ll be me.”

 Dolly described "Coat of Many Colours as her favourite song
A story she wrote about her own childhood



Wendell Berry’s vision was that of local community, neighborliness, and belonging, including our interdependence with nature and our responsibility to one another. To Berry, the health of the soil, the health of the human body, and the health of a local community are a single, indivisible thread. In his “Think Little” essay, written in 1970, he wrote: "A person who is growing a garden, if he is growing it organically, is improving a piece of the world... We become aware—perhaps for the very first time—of the enormous complexity of our world, and the realization of the folly of simplistic, reductionist, single-solution thinking." For Wendell Berry it was about the simple humble ordinary habits and how they bind us to nature and each other, and that the choices we make each and every day contribute to improving the world around us.

In a world where anxiety, pessimism and loneliness appear to be on the increase Wedell Berry and Dolly Parton always lived by faith, hope and love. They always looked and saw the best in others, in ordinary people. Neither lived easy lives, without pain and struggle. Their hope grew from struggle and helped create a vision of love of how we could yet be. They both in their own way visioned that kin-dom of love right here and now.

"I will always love you"



They were both people of faith, rooted in the Christianity of the southern states of America, that said they were not conventional and were true universalists in every sense of the word. Dolly grew up with a Pentecostal preacher grandfather, of the fire and brimstone type but said she found God personally as a girl in an abandoned church building near her family’s home. “I felt the presence there,” she said, remembering the moment she prayed for God to show, help and save her. “I just felt like that I had, for the first time in my life, had truly found God.” She lived her faith both in her philanthropy and in her love and acceptance of all people. She encouraged others to seek their own path, not to follow hers. As she said: I know who I am and I don't try to be nobody else... I can walk in any room knowing I'm going in as myself." And also on the dangers of conformity.

"If you try and follow everyone else and be like everyone else, before you know it you're gone. You're not going to find yourself again; you'll be a version of what you might of hoped to be."

"Jolene"


Wendell Berry’s Christianity was certainly non-conformist, he strongly criticised institutional religion and dogma of many kinds, his faith was shaped by a love for the world we live in now. He recognised and celebrated our creatureliness, that humans are a part of this creation and that it is our task to take care of this world as we take care of one another; we are a part of the whole, of the beautiful creation.

Regardless of what they did and how they lived Dolly Parton and Wendell Berry will be remembered mostly for their creativity their ultimate gifts to life. Dolly for her songs that she both wrote and performed, as did many others, as well as her whole persona. Wendell Berry for his writing, his novels his essays and of course his poetry. It was through his poetry that he reached and inspired me. I am going to end with a piece of his prose, which I think speaks of both his love and his spirituality and then a favourite poem

This is taken from “What Are People For? Essays”

"For many years, my walks have taken me down an old fencerow in a wooded hollow on what was once my grandfather's farm. A battered galvanized bucket is hanging on a fence post near the head of the hollow, and I never go by it without stopping to look inside. For what is going on in that bucket is the most momentous thing I know, the greatest miracle that I have ever heard of: it is making earth. The old bucket has hung there through many autumns, and the leaves have fallen around it and some have fallen into it. Rain and snow have fallen into it, and the fallen leaves have held the moisture and so have rotted. Nuts have fallen into it, or been carried into it by squirrels; mice and squirrels have eaten the meat of the nuts and left the shells; they and other animals have left their droppings; insects have flown into the bucket and died and decayed; bird have scratched in it and left their droppings or perhaps a feather or two. This slow work of growth and death, gravity and decay, which is the chief work of the world, has by now produced in the bottom of the bucket several inches of black humus. I look into that bucket with fascination because I am a farmer of sorts and an artist of sorts, and I recognize there an artistry and a farming far superior to mine, or to that of any human. I have seen the same process at work on the tops of boulders in a forest, and it has been at work immemorially over most of the land surface of the world. All creatures die into it, and they live by it."

There is Wendell Berry’s faith, his theology in that bucket.

Here is a final poem. A simple instruction on how to be a poet. It contains my favourite line ever “There are no unsacred places, there are only sacred and desecrated places. Again I believe that this speaks of Wendell Berry’s theology. That everything is sacred, everything matters and all is born from this sacred beginning. That the only thing that has been desecrated are those parts of the world that have been done so by the denial of this eternal sacredness of everything. That they have been damaged by we human beings have failed to recognise this very sacredness and desecrated this sacredness, whether that be nature or one another. It also recognises his rejection of modern technology and his embracement of simplicity, of feeling the earth at our feet, of being grounded in time and place, of humility, of the humus.

“How to Be a Poet” by Wendell Berry

(To remind myself)

i
Make a place to sit down.
Sit down. Be quiet.
You must depend upon
affection, reading, knowledge,
skill -- more of each
than you have -- inspiration,
work, growing older, patience,
for patience joins time
to eternity. Any readers
who like your poems,
doubt their judgment.

ii
Breathe with unconditional breath
the unconditioned air.
Shun electric wire.
Communicate slowly. Live
a three-dimensioned life;
stay away from screens.
Stay away from anything
that obscures the place it is in.
There are no unsacred places;
there are only sacred places
and desecrated places.

iii
Accept what comes from silence.
Make the best you can of it.
Of the little words that come
out of the silence, like prayers
prayed back to the one who prays,
make a poem that does not disturb
the silence from which it came.

Dolly Parton and Wendell Berry were two inspirations who were rooted in their place. That lived their own unique lives authentically. They were inspired by the same love and the same a spirit. A love and spirit that lives on beyond their lives. A love and a spirit that I believe is at the heart of each of us and everything.

Thank you.

"9 to 5"


 
I am going to end with some words of Dolly the first on leadership, the second on finding the inspiration you needed was always in you.

“If your actions create a legacy that inspires others to dream more, learn more, do more and become more, then, you are an excellent leader.”

“the magic is inside you. there ain't no crystal ball”

Please find below a video devotion based on the material in this "Blogspot"



Monday, 7 September 2026

Let it Be a Dance: The Movement of Faith

September is here, we have moved through the summer and are heading towards the autumn of the year. We have moved through quite a summer, like no other. I wonder how it has been for you. When harvest comes what fruits will you have to share. The tradition in many American Unitarian Universalist congregations is that during the first service after their summer recess they would bring water and share their water in a communal container. The water symbolises where they have been and what they have done during the summer.The summer has reminded me how precious water is, how precious everything is. We all move through life in so many ways, each bearing its fruits and own consequences. Water of course moves through everything and moving water always has its way, it always finds a way. I wonder what things we have moved through this summer and what we will move through during the days ahead.

For many of us music is about movement. A piece of music is often called a movement. To create music air moves and vibrates. Music is never still, as creativity is never still. Nothing is ever truly still. Even when we sit still, we are a part of life that is all about movement. Just because our sense cannot pick up the movement, it does not mean it is not happening. Like a fish swims in water that is constantly moving, thus we move through life that is never quite the same. Life is flux. To slightly misquote Heraclitus, no one steps in the same river twice, because the river is not the same and neither is the person who steps into it.

I was thinking of music the other day. There are basically two forms of popular music, obviously there are variations on themes, but throughout human history there has always been two types of music. There is song, which is essentially story telling music and then there is music that is created to enable people to dance, dance music. Yes of course some music is for both, a right song and dance. I have always preferred song. This is no doubt obvious, as I am singer, I am not much of dancer.

Dance and movement in general is not my forte. I am a singer, not a dancer.

Having said that I do love to a go a wandering, singing along at the same time. I also, just for a bit of fun, enjoy gambolling from time to time. A friend sent me something about gambolling, not to be confused with gambling the other day and I gave it a go. For those that don’t know gambolling is a form of movement where you can run, jump or skip around in a playful kind of way, think of a lamb or goat perhaps. Maybe this is where acting the goat comes from. I did not gambol gracefully, but I did have a lot of fun. It was suggested to me as I was dealing with some pretty stressful stuff at the time. It had such an effect that I sat down in the park with Molly and wrote a song, recorded and shared it with friends, as a way of spreading a little joy. It is a play on the old classic song “The Happy Wanderer”, it is called “The Happy Gamboler”. Would you like to hear it? (You can hear it in the video devotion at the bottom of this post)

"The Happy Gamboller"

Chorus:
Gambolli, Gambolla,
Gambolli,
Gambolla-ha-ha-ha-ha-ha
Gombolli, Gambolla.
A Dude must always abide.

I love to go gambolling,
With Molly by my side,
We skip and dance and sing our songs,
A Dude must always Abide.

Chorus:
Gambolli, Gambolla,
Gambolli,
Gambolla--ha-ha-ha-ha-ha
Gomolli, Gambolla.
A Dude must always abide.

I love to gambolling
And dance under the sun.
So joyously folk call to me,
"Come! Join my happy song!"

Chorus:
Gambolli, Gambolla,
Gambolli,
Gambolla--ha-ha-ha-ha-ha
Gomolli, Gambolla.
A Dude must always abide.

I wave and smile at all I meet,
And they smile and wave back to me,
And blackbirds call so loud and sweet
From ev'ry green wood tree.

Chorus:
Gambolli, Gambolla,
Gambolli,
Gambolla--ha-ha-ha-ha-ha
Gomolli, Gambolla.
A Dude must always abide.


High overhead, the skylarks wing,
They never rest at home
But just like me, they love to sing,
Until all this world shall gambole.

Chorus:
Gambolli, Gambolla,
Gambolli,
Gambolla--ha-ha-ha-ha-ha
Gomolli, Gambolla.
A Dude must always abide.

Oh, may I go a gamboling
Until the day I die!
Oh, may I always laugh and sing,
Beneath God's clear blue sky!

Chorus:
Gambolli, Gambolla,
Gambolli,
Gambolla--ha-ha-ha-ha-ha
Gomolli, Gambolla.
A Dude must always abide.

(Additional note the line "A Dude must always abide, is a homage to a favourite film "The Big Lebowski)  

It cheered a lot of folk up, it concerned a few others. It got the funny bones moving though. The next morning Keiron in café nero was feeling a bit blue, so I sang it to him and it cheered him up too. Later that day Natasha from the MDA sent we a video of some hilarious movement that folk were trying, which I gave a go at too. It got so much laughter and joy moving through folk who were struggling along with one or two things, although it was in itself a bit of a struggle in the intense heat.

We are moving creatures. We move in so many interesting ways, we are moving, even when we are stood still. I have spent the summer observing all kinds of movement. There were many types of movement based sessions at this years summer school. All kinds of flow and sacred dance and so much laughter. I had a go at some line dancing, which was slightly chaotic, but fun. I also had a go at ecstatic dance, which was pretty out there as well. In fact at one moment Molly and myself were dancing together, she on her hind legs while we danced away. Now while dancing doesn’t come naturally to me it is fun to join in, in my own way. Makes you grateful for this grace, even if I don’t myself move so gracefully. Like water though we human beings are made for movement, we are not meant to be still. Movement has a way to bring stillness to the mind and soul.

Dance and movement has always been a sacred thing.

Let it be a dance with do, may I have this dance with you, through the good times and the bad times too, let it be a dance.

Dancing and movement are sacred things, part of the sacredness of being alive. The God of my limited understanding is alive in this life or not at all. I need to know God through my bodily being, or not at all. Sacred the body, God has created, temple of spirit that grows deep inside.

Friedrich Nietzche said “I would believe only in a God that knows how to dance”

Is there anything more divine that being fully alive and yet too often in sacred circles the body is decried. If there are such things as angels I am sure that they sing and dance at being alive, in their angelic way and not just on the head of a pin. This brings to mind the wonder poem “Questions about angels” by Billy Collins

“Questions about angels” by Billy Collins

Of all the questions you might want to ask
about angels, the only one you ever hear
is how many can dance on the head of a pin.

No curiosity about how they pass the eternal time
besides circling the Throne chanting in Latin
or delivering a crust of bread to a hermit on earth
or guiding a boy and girl across a rickety wooden bridge.

Do they fly through God's body and come out singing?
Do they swing like children from the hinges
of the spirit world saying their names backwards and forwards?
Do they sit alone in little gardens changing colors?

What about their sleeping habits, the fabric of their robes,
their diet of unfiltered divine light?
What goes on inside their luminous heads? Is there a wall
these tall presences can look over and see hell?

If an angel fell off a cloud, would he leave a hole
in a river and would the hole float along endlessly
filled with the silent letters of every angelic word?

If an angel delivered the mail, would he arrive
in a blinding rush of wings or would he just assume
the appearance of the regular mailman and
whistle up the driveway reading the postcards?

No, the medieval theologians control the court.
The only question you ever hear is about
the little dance floor on the head of a pin
where halos are meant to converge and drift invisibly.

It is designed to make us think in millions,
billions, to make us run out of numbers and collapse
into infinity, but perhaps the answer is simply one:
one female angel dancing alone in her stocking feet,
a small jazz combo working in the background.

She sways like a branch in the wind, her beautiful
eyes closed, and the tall thin bassist leans over
to glance at his watch because she has been dancing
forever, and now it is very late, even for musicians.

The spirit lives to set us free, it is ever moving, as is all life, as are we.

In “Dance – The Sacred Art: The Joy of Movement as a Spiritual Practice” Cynthia Winton Henry wrote:

"At the beginning of nearly every culture, dance arose at the foundation of collective spiritual life. Just as inconceivable as separating out deities and goddesses from everyday activities, dancing was intrinsic to the religiosity of indigenous groups. It could not be extricated. It was manna, daily bread. More than mere expression, dancing served as the primary means of knowing and creating the world. It carried technologies of healing, entertainment, and most definitely of praying.”

You see movement and dance right there at the heart of the Hebrew Scriptures. In the beginning God did not merely breathe life into being but moved through it too. The Psalms were sung with movement and dance. Isaiah declared, 'You shall go out with joy and be led forth in peace: The mountains and the hills shall break forth into singing, and all the trees of the field clap their hands' (Isaiah 55:12). The Divine danced in and through us bringing the people out beyond themselves.

Think of circle dancing, the Hebrew word for festival being “Haga” meaning to move in a circle, it is there at the heart of festival and ceremonies. Just because dance isn’t written down in holy scripture it does not mean that the religious life was some solitary solemn thing, rejoice, rejoice, rejoice is there at the heart. In “The Sermon on the Plain” in Lukes Gospel Ch 6 v 23 Jesus instructs those who listen “Rejoice in that day and leap for joy, because great is your reward in heaven. For that is how their ancestors treated the prophets"

Dance is at the heart of Taoism, the origins of the Tao. When the ancients attempted to understand the flow of the Tao, they danced; when they tried to put it into practice, they danced.

Dance and movement is at the heart of the ancient traditions, they danced to bring about rain. High priests danced in the patterns of the stars constellations, to commune with the Gods. Yoga is in flow. Dance and movement is in everything. When we think of spiritual practice we think it is about being still and silent, but it really isn’t. it is about movement and life, dance and song, as life was moved and not just breathed into being. We come to life, stillness and silence is the end of life, but the spirit, well I reckon that moves on.

To dance it to be like water as Bruce Lee said. Water moves its way into life, it always finds away and it is never quite the same. The river is not the same and neither are we as we move into and through it.

Life is movement, it is forever changing, nothing stays the same. So, we may as well dance with it. Why should we resist, we ought to go with the flow and dance in the dance of life. Why not join together as part of the dance of life. Dance together.

In joining in the dance we are being faithful to life, to the spirit in it all. In so doing we play our part in creating the universal web of life, we play our part fully in the universal process and in so doing encourage others to come and join in the dance too.

So will you come and dance with me…Let it be a dance we do, may I have this dance with you, through the good times and the bad times too, let it be a dance…

I’m going to end with a bit of Mary Oliver. A poem titled Prayer”

“Prayer” by Mary Oliver

May I never not be frisky,
May I never not be risque.

May my ashes, when you have them, friend,
and give them to the ocean,

leap in the froth of the waves,
still loving movement,

still ready, beyond all else,
to dance for the world.

Please find below a video devotion based on the material in this post



Monday, 10 August 2026

The Odyssey: Xenia and the Art of Hospitality



In the last piece we explored Homer’s “The Odyssey” looking specifically at Odysseus’ journey home, his “Nostos”. Today I am exploring another central theme of the epic poem, this being “Xenia” or “Philoxenia”. What in Christopher Nolan’s recent blockbuster film based on “The Odyssey” is referred to as “Zeus’ Law”. “Xenia” has been translated to mean “guest friendship” or “Love of a stranger”.

We will explore Xenia’s parallels with other traditions, an example being hospitality in the Abrahamic ones. We will also explore ways to be both a good host and a good guest. Ways in which we may bring the spirit of Xenia alive in our current time and place.

In ancient Greece the concept of “Xenia” or “guest friendship” was something that a “virtuous person” would be expected to cultivate. It was developed from the ancient’s belief that gods visited humans and thus any guest may well be a god in disguise. One example found in “The Odyssey” is there right at the beginning of the epic, when Athena visits Odysseus’s son, Telemachus. Athena first appeared as Mentes, a family friend, and later as Mentor to encourage the young prince to search for his missing father. When Odysseus finally returns to Ithaca, Athena repeatedly visits him, altering his appearance into an old beggar so he can safely plan his revenge against the arrogant suitors. Another example would be Hermes being sent by Zeus to visit the nymph Calypso on her island to command her to release Odysseus, and later visits Odysseus himself to warn him about the witch.

You can see Xenia thread through “The Odyssey”. Virtually every encounter manifest as a test of it. There good and bad examples of being both a good host and guest. Examples of good hosts would be Nestor, Menelaus, the Phaeacians, as well as the swineherd Eumaeus. They welcome strangers with food, shelter, and gifts before they ask who they are. Their generosity reflects both good character and respect for Zeus Xenios, the protector of guests.

Now bad hosts and bad guests face consequences. The Cyclops Polyphemus rejects Xenia by imprisoning and eating his visitors, while the “Suitors” in Odysseus' palace abuse his hospitality by consuming his food, disrespecting his household, and plotting against his son.

The “Suitors” repeated violations of Xenia ultimately lead to their downfall when Odysseus returns and reclaims his home. Throughout the epic, Homer presents hospitality not as simple politeness, but as one of the foundations of a just and civilized society. It is painting an ideal by which a virtuous person ought to live. The obligation though is not just for the host, but also the guest, the visitor have their obligations too. In “The Odyssey” Xenia acts as the moral bedrock and a crucial testing ground for civilization. Xenia is understood as a sacred duty that holds civilization together.

King Alcinous and Queen Arete (The Phaeacians), portray the Xenia ideal. They welcome Odysseus when he washes ashore broken and nameless, feeding him, bathing him, and offering safe passage home before ever asking his identity. They embody the purest form of spiritual grace and civilized duty. Another example would be Nestor and Peisistratos. Odysseus son Telemachus visits Pylos, where Nestor’s son immediately offers a seat at the feast and ritual hospitality, acting as a mentoring ritual for Telemachus to learn the noble codes of the Greek world. These are the embodiment of perfect examples of Xenia being offered by the host.

Now a classic example of Xenia not being followed would be that of Polyphemus the Cyclops. The “Mythologist Joseph Campbell saw the Cyclops as the ultimate spiritual trap of raw, lawless force and ego. Polyphemus rejects the gods and the sacred laws of Xenia by immediately asking who Odysseus is in a hostile manner and instead of offering a guest-gift, he traps and eats the men. Not what you want from a host.

An example of guests not fulfilling their Xenia obligation would be the suitors in Ithaka. They occupy Odysseus’s home, consume his livestock and abuse his home. Again as Joseph Campbell highlighted “the suitors” represent an archetypal social decay and "xenia gone bad" that demands a violent reckoning.

You can find parallels to Xenia within many of the great religious traditions. Here is an example from Christianity, found in the book of Hebrews chapter 13 v2. 2Do not neglect to show hospitality to strangers, for by doing that some have entertained angels without knowing it. Who is showing hospitality to these strangers in our very midst?”

Showing hospitality and caring for the vulnerable in society is a key aspect of the Judeo - Christian and Islamic traditions. You will find it deeply rooted in the Abrahamic faiths and virtually every other world religion too. Hospitality is an essential spiritual practice. It begins with an open heart and a generosity of spirit. It’s about recognising the good in life and in people, especially those in need. It’s about recognising ourselves in those very same people. It’s about being open and welcoming to all, wherever they have been, wherever they are going and wherever they find themselves now. Tibetan Buddhist monks great the strangers visiting their temples with “Welcome, friend, from what noble spiritual tradition do you come.” The Christian monastic tradition has a long held practise of taking in strangers and offering them sanctuary as if they were Christ, inspired by those very words from Hebrews. In so doing they are following the example of Jesus who mingled with all people, there was no one left outside the city gate, no untouchables. Hospitality to me seems to be the whole concept of “Kin-dom of Love” right here right now.

Sadly, our age has become characterised by distrust, there is a fear of the strange and the stranger. Hospitality is an antidote to this, to quote Joan Chittister “Hospitality is the way we come out of ourselves. It is the first step toward dismantling the barriers of the world. Hospitality is the way we turn a prejudiced world around one heart at a time.” The importance of welcoming the stranger is at the root of all the great faith traditions.

In ancient Greece the concept of “Xenia” or “guest friendship” was cultivated. Xenia came out of the ancients belief that gods visited humans and the fear that a guest may well be a god in disguise. You find similar stories in Middle-Eastern cultures also. One key story from Genesis is to key to the Abrahamic traditions. This story of Abraham’s guests has a moral to teach us all. The guests are revealed to be angels; in fact it is implied strongly that one may well be God himself. They tell the childless and aged Abraham and Sarah that they will have a son. They given the ultimate gift as a reward for showing hospitality to strangers in their land.

Being a gracious host is a primary requirement of Islam. The Qur’an 4. 36-37 reads:

“Be kind to parents.and near kins man, and to orphans, and to the needy, and to the neighbour who is of kin, and to the neighbour who is a stranger, and to the companion at your side, and to the traveller.”

Another classic example of duty to take care of the stranger is the parable of the “Good Samaritan” You may well recall that a Jewish man lay on the side of the road beaten bloody and dying. As he lay there a Jewish priest and an official of the temple both past him by and ignored him. Then a Samaritan came by, a despised enemy of the Israelites, and he looked after the man and paid for his shelter at a local inn. He welcomed the stranger. To me this is a classic example of Xenia in the Christian tradition.

Many of the great traditions have brought witnesses of light to humanity and they have often shone in the darkest of times. Many of the myths and folk tales talk of the importance of offering hospitality to the stranger. If we welcome the stranger without hope or reward, we will be rewarded way beyond our wildest dreams. This holds true, in my belief, whether or not they have supernatural powers. If we welcome the stranger, we will reap untold rewards. There is nothing new here, this is at the heart of “Xenia”, portrayed in the Odyssey.

It is not just about being a welcoming host though. To practice Xenia is also about being a good guest. At the heart of being a good guest is humility, think of Odysseys when he washes ashore at the Phaeacians. He accepts the help on offer and tells his story, he offers himself he recognises their interconnectedness, it is a grace filled encounter. In so doing he is fulfilling his Xenia, he is being a gracious guest.

It reminds me of the following contemporary piece “The Fine Art of the Good Guest” by Jeffrey Lockwood. It illustrates the importance of being a good guest and gratefully receiving what is on offer. Jeffrey Lockwood is suggesting that we should listen to what the host has to offer by graciously accepting his food or activities, however peculiar they may seem to us. This is Xenia and a wonderful example of it.

Here is Jeffrey’s offering.

“The Fine Art of the Good Guest” by Jeffrey Lockwood

The most important thing that I’ve learned in travelling to more than twenty countries is the art of being a guest. And I’m a particularly fine visitor at the supper table. I’ve consumed live fish in Inner Mongolia, not-quite-coagulated blood sausage on the Tibetan plateau, shredded pig’s ear in China, grilled lamb fat in Uzbekistan, horse steaks in Kazakhstan, vodka made from fermented mare’s milk in Siberia, vegemite in Australia, goat in Brazil, and snails in France. I don’t have an iron stomach, by any means, but I do have the will to be a virtuous visitor.

We are all visitors—even when we are home. Our time in any relationship or place is ultimately limited. We are passing through; nobody stays forever. How might we act if we consider ourselves guests in the lives of friends and family? Being a good guest is rather simple in principle but occasionally challenging in practice.

One begins by demanding nothing more than the bare elements of life and dignity, which every host is more than delighted to exceed. The good guest then simply allows the other person to be a good host—to share his gifts, to play her music, to tell his stories, to show her places, and to serve his foods. Finally, a guest should cultivate and express genuine gratitude. It need not be effusive or exorbitant, only sincere.

We might also think of ourselves as uninvited, but not unwelcome, guests of the planet. And I think the rules for being a good guest of the world are just the same: Ask little, accept what is offered, and give thanks.

I recently visited my mum and enjoyed some “Traditional Fish Chips”, cooked in “Beef Dripping”. I was chatting with a friend who is originally from Oxford and now lives in central Manchester. He told me about a “traditional fish chip shop found on Cross Street in the city. He mentioned sayings on the wall, one being a famous quotation by Milton Friedman stating, “There’s no such thing as a free lunch”. Suggesting there is a price to pay for everything. Personally, I have never found this to be true. I have received generosity and countless free meals throughout my life. I may not have acknowledged it at the time, but looking back so much has been given to me without any expectation of it being returned. I have of course given to others, even if it just my time throughout my life. The giving is not direct, paid back to those who gave to me, but indirect, it is for those in need. This to me is very much the spirit of Xenia.

Poet Philosopher David Whyte has spoken extensively of the abundance of free meals he has been given throughout his life. He says his life has been sustained by unexpected generosity, vulnerability, and the invisible help of strangers at crucial crossroads.

One powerfully and life changing example he often speaks of is when he survived a near fatal bout of dysentery in the Himalayas. He stumbled half dead into the home of Tibetan family he did not know. They took him in and nursed him with local provisions. They asked nothing in return. This was a life changing moment for Whyte, his life was never the same again and led to him feeding and nourishing the world with language and words. He moved from being a good guest to becoming a good host, in so doing he is fulfilling his Xenia.

This is exemplified in his poem “Loaves and Fishes”

“Loaves and Fishes” by David Whyte

This is not
the age of information.

This is not
the age of information.

Forget the news,
and the radio,
and the blurred screen.

This is the time of loaves
and fishes.

People are hungry,
and one good word is bread
for a thousand

Whyte’s philosophy suggests that our lives are not an isolated struggle, but a continuous, primal exchange where "one good word" or a shared meal acts as deep nourishment for the hungry. He views these gifts as reminders that we are fundamentally interconnected and that receiving grace gracefully is part of the conversational nature of life. To me this seems like a modern day embodiment of “Xenia”

“Xenia” begins by recognising that each encounter has divine potential within it. That we need to greet one another in such a way. This mutual reverence is portrayed beautifully in the following story, “The Strangers Gift”.

“The Strangers Gift”

There was once a village that had fallen on very hard times. The villages had once been very happy, and their community had been famous for its hospitality and friendliness, and the warmth with which it welcomed strangers.

But something had gone wrong in the village. People had begun to bicker with one another. Quarrels broke out for no apparent reason. Rivalry sprang up where once there had been friendship and trust. The chief of the village was very sad about this. He knew that the people would never be happy like this, but he could do nothing to restore the old times of harmony and peace. Strangers no longer wanted to visit the village. The people stopped caring for it. The village was falling into ruin.

But it happened that one day a stranger came by. He approached the village like one with a mission, as though he already knew what he would find there. And very soon, he met the village chief. He recognised the sad expression in his eyes, and the two were soon engaged in a serious conversation.

The village chief told the stranger about his feelings of despair, and his fears that soon the village would disintergarate. The stranger told the village chief that he might know a way to redeem the lost village, and restore it to a real community again.

“Tell me the secret,” The village chief begged the stranger.

“The secret is very simple,” the stranger said, by way of reply.

“The fact is, one of the villagers is actually the Messiah”

The village chief could hardly believe what he was hearing, yet the stranger had an air of authority about him that was irrefutable.

The stranger left, but the village chief couldn’t resist telling his closest friend what the stranger had told him. Soon the rumour ran through the village like wildfire.

“One of us is the Messiah! Can you believe it, somewhere, hidden among our number, the messiah is living.!”

Now deep down, the villagers were a godly folk who wanted things to be right in their community. The thought that the Messiah himself might be living among them, incognito, made them see things very differently. Could it be the baker? They wondered. Or the postman? Or the old lady who breeds chickens and sells eggs? Perhaps its old granny Riley, whom the children were in the habit of taunting because of her scarred old face. The speculation went on and on.

But the strange thing was that, after the stranger’s visit, things were never the same again. People began to treat each other with reverence. They lived like people who had a common purpose, and who were seeking for something very precious together, never quite knowing whether the treasure was actually right in front of them.

Before long, visitors began to come to the village, just to be part of the happy, holy atmosphere that prevailed there. The stranger never came back. He didn’t need to.

The stranger brought the greatest gift that the people of the village could have wished for, he taught them how to learn to revere one another. That the divine was in some sense in all of them and that if they cared and nurtured one another, as it did. Now of course he tricked them into this in some sense, but would they have listened if he’s just told them to do this?

But then isn’t that how the great stories work. They tell us one thing which often leads to something far more wonderful than could ever have imagined. Something that is found throughout “The Odyssey”.

“The Odyssey” is an ancient tale. It may seem far away and far fetched, but there at the heart is a universal message teaching how we should be with another. That we ought o treat each other as if we were Divine, with love honour and respect, to welcome the stranger as a friend, we just don’t yet know.

May we see in the face of our neighbour, who we do not know, the divine light that is in all things. May we both give and receive Xenia in all that we feel, all that we think, all that we say and all that we do.

Please find below a video devotion based on the material in this "Blogspot"




Monday, 3 August 2026

The Odyssey: A Journey of Nostalgia


Christopher Nolan’s “The Odyssey”, is this summer’s blockbuster movie. Have you seen it. It is an ancient tale that has been told many times. It is a story told in poetic form and certainly not easy to recreate in any media, least of all the cinema. Even the written form we have translated today is probably not as it was originally told, as it was not written down in the time. Much like so much of these ancient tales, including the books of the Bible.


Nolan’s film has received rave reviews, but also criticism. Some have said that it is not historically accurate, although it is closer to the text than other adaptations and certainly some other so called historical tales. I will explore some of the themes here and will continue to explore what might be the central theme in the next video devotion, what is sometimes called “Zeus’ Law” or the concept of “Xenia” or “Philoxenia”. This is translated as “guest friendship” or “love of a stranger” and perhaps other spiritual themes.

“The Odyssey” is not history, it is mythology. It is taking us on a journey to reveal universal truth. A long and arduous journey, that for Odysseus took 10 years to finally get home. The journey from Troy, that is now in what is Northern Turkey, to the Island of Ithaka west of Northern Greece, should have taken only a few weeks. This journey like all journey’s was not a straight line and it is littered with mistakes and hopefully lessons. It was Odysseus pride in defeating the cyclops, that led to him being cursed by Poseidon, which caused many of his troubles. He had left Troy high on victory, returning a hero, full of Pride and Hubris. The clever hero. This was not the man who finally reached Ithaka 10 years later having lost all his men and lost everything, well except for this vision of home.

“The Odyssey” reminds me somewhat of Moses and the Israelites journeying towards the Promised Land, a journey that took 40 years (Meaning a lifetime), should have taken a matter of months. Now this was not a journey home, but for a new home. Odysseus just wanted to get home, much like the character played by Michael Douglas in “Falling Down”, or Steve Martin in “Planes, Trains and Automobiles”. Like so many other tales, ancient and modern. The Odyssey is the archetype for most of the stories told. It might be the original “Heroes Journey” depicted by Joseph Campbell.

“The Odyssey” is a tale told in poetic form. Here is a wonderful poem inspired by it, depicting the journey home. It offers a meaning at the heart of the ancient journey. One that may not be about the final goal, the ends that draw us out. Instead it is about the means by which we journey. It is an allegory of the beautiful journey.

“Ithaka”, by C. P. Cafavy

As you set out for Ithaka
hope your road is a long one,
full of adventure, full of discovery.
Laistrygonians, Cyclops,
angry Poseidon—don’t be afraid of them:
you’ll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.

Laistrygonians, Cyclops,
wild Poseidon—you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.

Hope your road is a long one.
May there be many summer mornings when,
with what pleasure, what joy,
you enter harbors you’re seeing for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind—
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to learn and go on learning from their scholars.

Keep Ithaka always in your mind.
Arriving there is what you’re destined for.
But don’t hurry the journey at all.
Better if it lasts for years,
so you’re old by the time you reach the island,
wealthy with all you’ve gained on the way,
not expecting Ithaka to make you rich.

Ithaka gave you the marvelous journey.
Without her you wouldn’t have set out.
She has nothing left to give you now.

And if you find her poor, Ithaka won’t have fooled you.
Wise as you will have become, so full of experience,
you’ll have understood by then what these Ithakas mean.

“The Odyssey” is an archetype for the human journey, the call to adventure. Other examples might be Pilgrims Progress, Gulliver’s Travels, The Wizard of Oz, Jack and the Beanstalk, The Lord of the Rings the list goes on and on. Humanity’s canon is littered with folk tales and myths which teach us about this call to adventure, about the potential for both beauty and horror that is life.

Joseph Campbell spent years exploring these myths and stories believing that they possessed universal qualities that could help us understand how so often life calls us out to adventure, often at the least expected of moments.

Campbell identified four distinct stages of the journey. The first stage he named as “The Call to Adventure”. This he claimed is caused by discontent, which draws us out of the comfort of our lives to risk something new. For Odysseus it was the call for home after 10 years at war with Troy. The second he described as an initiation, where ordeals are faced that test someone’s mental and physical skills, you see Odysseus’ great skill and wit overcoming troubles and then his arrogance and hubris creating his troubles. The third stage is the time of revelation the discovery of truth and treasure. The truth for Odysseus is that he is humbled by his return home, he is stripped of his vainglory and has to rely on hospitality, he returns an old beggar man. The final stage is the return to one’s community, with wisdom gained and with treasure to share. This is Odysseus return home, back with family a different man, with stories to share. Here he fulfils his Nostos.

On our journeys through life there will be many obstacles that we meet along the way. No one’s life is a perfect smooth ride and I do not for one minute believe that it is meant to be this way. Life throws many obstacles at us that can blow us of course. The key is not to allow these troubles to rule or lives and to maintain the faith in life itself, that we will be able find the courage to come through the storms. There is also another key too, don’t carry your own monsters with you, just deal with what is there in front of you. I think one of lessons of “The Odyssey” is that most of the troubles were self created. Yes some were created by the God’s, but not all and even those were in response to Odysseus mistakes. In fact Odysseus was general favoured by the God’s, it is only Poseidon who turned against him, in his rage for blinding his son, the Cyclops Polyphemus. That said despite these very troubles what we have is the beautiful journey of life. As the end of the poem Ithaca reminds us...

Ithaca has given you the beautiful voyage.
Without her you would have never set out on the road.
She has nothing more to give you.

And if you find her poor, Ithaca has not deceived you.
Wise as you have become, with so much experience,
you must already have understood what Ithaca means.

No one knows what the future holds it truly is unwritten, but we need not fear it. We do not have seers like Odysseus met on his journey. Such as the blind prophet of Thebes who Odysseus meets in Hades (The Underworld). Tiresias tells Odysseus how to return home, warns about dangers and predicts his peaceful death in old age. We don’t get that. If I had known what was coming in the last couple of weeks I may well have buried my head, but I have not. I have journeyed on with the help of beautiful friends.

Here’s another poem based on the hero of “The Odyssey”, by Tom Leonard, titled “Odysseus”

“Odysseus” by Tom Leonard

it took me so long to get back to who I am
why was I away so long why was the journey so tortuous
all those false masks against a backdrop narrative to do with authenticity

but now arriving back there is still much debris to clear
the clearer to see the point from which I started

that from which I set out confused in sundry identities at war with themselves
now to find calm on that setting-out point as the final destination

The call to return, especially to return home is a powerful one. This call though is not just about returning to a place, it is also about time; about returning to a time in life when everything was simpler and safer. I’m sure that this was Dorothy’s call in “The Wizard of Oz”.

This is the call of nostalgia. To return to the place of safety the place of paradise, where we are cared for and looked after. Nostalgia though is often blind and perhaps senseless. It can also be painful. Things are never quite as we remember them. Nostalgia is rooted in the Greek word “Nostos”, which is the central call of “The Odyssey”, this arduous journey by sea, full of adventure and trials and tribulations. “Nostos” is also Penelope’s yearning too, despite her never leaving the island.

Nostalgia is one of the central themes of “The Odyssey”. The problem is that things are never quite what we thought they were. Nostalgia in its original understanding meant “severe homesickness considered as a disease” from the German heimweh (home+woe) homesickness. It is rooted in the ancient Greek words “algos” meaning pain, Grief, distress and “nostos” meaning homecoming. Nostalgia is a painful homecoming. The call to return home is powerful and, at times, painful. It can cause a deep yearning ache in our hearts and souls. Isn’t this the call of Odysseus, through all his trials and tribulations.

The return home is not without pain. Sometimes you might be rejected on the first return. Think of Jack and his beans in the story “Jack and the Beanstalk.” Think of Jesus in Mark’s Gospel returning home and being rejected and almost mocked. As he said to his disciples ‘Prophets are not without honour, except in their home town, and among their own kin, and in their own house.’

Sometimes we might not be recognised when we return home, how painful can that be. We can feel like a stranger in our own land. Odysseus is not recognised on his return. He looks like a beggar stripped of all his vainglory. Only his old dying dog Argos recognises him, dropping his ears and wagging his tail. Odysseus weeps, but cannot go to his dog or his identity will be revealed. Argos has been neglected and left on a dirt heap. This powerfully symbolises the pain and neglect of Ithaka since Odysseus left. It is a heartbreaking moment. Argos his old loyal dog dies as Odysseus arrives home, safe in the knowledge of his return. This might be the most beautifully pure moment in the whole mythos. Maybe Argos is the real hero of the Odyssey.

Here is another poem inspired by “The Odyssey” Note that Ulysees mentioned in tin it is the Roman name for Odysseus.

"The Art of Poetry" By Jorge Luís Borges

To look at the river made of time and water
and remember that time is another river,
to know that we lose ourselves like the river
and that faces go by like the water.

To feel that wakefulness is another sleep
that dreams it is not dreaming and that the death
that our flesh fears is that death
every night that is called sleep.

To see in the day or in the year a symbol
of the days of mankind and of his years,
to change the outrage of the years
into a music, a rumor, and a symbol,

to see in death sleep, in sunset
a sad gold, such is the poetry
that is immortal and poor. Poetry
returns like dawn and sunset.

Sometimes in the evening a face
looks at us from the bottom of a mirror;
art should be like that mirror
that reveals our own face to us.

They tell that Ulysses, tired of wonders,
wept with love at the sight of his Ithaca,
green and humble. Art is that Ithaca
of green eternity, not of wonders.

It is also like the endless river
that passes and remains and is the mirror of one same
inconstant Heraclitus, who is the same
and is another, like the endless river.

In the “Art of poetry” Jorge Borges, like Joseph Campbell, recognised a common theme in all the great stories. In this poem he explores some of the great ancient Greek stories. One being Ulysses (which is the Latin translation of Odysseus) and his painful return to Ithaca. He also talks of the philosopher Heraclitus who suggested that we can never return to the same river. This is because water continual flows on and on and the water we step into is never quite the same, but also because we who stand in the river are not the same person either, life will have changed us too. Like the river our lives, go on and on, ever changing. The lesson is that it is not about yearning to return to some mythical ideal, but to fully experience the adventure, the beautiful journey as the poem by Constantine Cavafy, “Ithaca” suggests. This is the lesson of Homer’s Odyssey and perhaps all the great stories. The treasure is the journey itself.

Life is a journey and a beautiful one at that. One in which we are constantly turning and returning again and again and again. It is not always an easy one and one where there will be troubles and difficulties. There will be times when we will not be recognised and may not even recognise ourselves; there will be times when we will feel completely lost and won’t know where to turn for sanctuary. The key is to journey on and in the end we return from where we came. We though are not the same and neither is the place or anyone else.

Odysseus returned home a changed man. Humbled by the journey. Stripped down and older. He and Penelope were eventually reunited, along with his now adult son Telemachus. Odysseus this fulfilled his Nostos. The story, well that goes on, as our lives go on, for the journey is never ending.

I’m going to end this devotion, although there will be more on the Odyssey next time, with one final poem by the wonderful Mary Oliver. A poem titled “The Journey”

“The Journey”, by Mary Oliver

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice–
though the whole house
began to tremble
and you felt the old tug
at your ankles.
“Mend my life!”
each voice cried.
But you didn’t stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do–
determined to save
the only life you could save.



Monday, 27 July 2026

They Might be Giants: Finding the Courage to Overcome


It has been quite a summer of sport. It is not over just yet, we are still in July after all. I have enjoyed it immensely, the hopes and dreams and ups and downs, that for most has ultimately ended in disappointment. There have been quite a few underdog stories too. Most of us love an underdog story, probably because it taps into the dream that one day, by some miracle perhaps, we might become victorious.

Before I came to live in this area I knew very little about Urmston and Altrincham. I had heard of Urmston only because of one of the characters from “Dinner Ladies”, that wonderful comedy by Victoria Wood. I only knew of Altrincham from watching the football results and the mythos of their giant killing days in the FA Cup. It has been a great honour to serve the good folk of both places these last 16 years.

Now it was this year’s FA Cup that brought a local giant killing to mind, perhaps the greatest. This was when Non-League Macclesfield Town slayed Premier League Crystal Palace. Crystal Palace were actually the FA Cup defending champions having won it 2025, how the mighty fall. Other examples of minnows defeating or shining against the giants were Cape Verdi in the World Cup, drawing nil-nil with the eventual champions Spain. Cape Verdi did not lose a game in their group and were only beaten by the finalist Argentina in extra time, Argentina had scored an equaliser in injury time of normal time. Now despite a few hiccups the giants did eventually gain victory, the top four ranked teams in the world filled all four semi-final places.

There were two wonderful examples of minnows defeating giants in tennis too. Maja Chwalinska ranked 114 in the world and a wild card reached the French open final. Then the British qualifier Arthur Fery, another a wild card and coincidentally also ranked 114 in the world, reached the semi-final at Wimbledon before succumbing to the giant Alexander Zverev. I remember watching them walk side by side and thinking this truly looks like a David and Goliath rematch as Zverev stands 6 feet and six inches, Arthur Fery is just 5 feet 9 inches tall, almost a foot shorter. Instead of shaft the size of a weaver’s beam, his weapon of choice was his tennis racket.

In such encounters Goliath usually wins, but not always. Sometimes the underdog does win. The small does overcome the giant. Courage can be found if we carry it within our hearts. The 19th century Unitarian minister, Theodore Parker, said, “The arc of the Universe is long, but it bends toward justice.” He believed that there was some deep and powerful force in the Universe that stands behind the weak and the small when they fight against the more powerful. The story of David and Goliath, the little shepherd boy, the runt of his family, the eighth born son, who defeated the most powerful warrior in the world, asks us, “Where would we find such courage?” Sport can be a wonderful metaphor for this, sometimes the mighty do fall and the righteous do indeed overcome.

I am sure we are all familiar with the story of David and Goliath. I know as a child I found it compelling. It made me think that the weak sensitive child that I was would one day stand up to bullying giants of life. I still live with this childlike hope. I know I am not alone.

The story of slaying of the giant Goliath is to be found in the Old Testament book of Samuel. Here is an extract from 2 Samuel Ch 21 v 19

“Then there was another battle with the Philistines at Gob, and …………… killed Goliath the Gittite, the shaft of whose spear was like a weaver’s beam.”

Do you know who killed Goliath in 2 Samuel? Say it out loud to yourself.

Well, in the “ Samuel it was someone named “Elhanan son of Jaare-oregim the Bethlehemite”

Here is the full verse: “19 Then there was another battle with the Philistines at Gob, and Elhanan son of Jaare-oregim the Bethlehemite killed Goliath the Gittite, the shaft of whose spear was like a weaver’s beam.”

The story of David slaying Goliath is actually found in the 1st Book of Samuel, which describes Goliath there in the following way 1 Samuel Ch 17 vv 4-7

“4 And there came out from the camp of the Philistines a champion named Goliath, of Gath, whose height was four[a] cubits and a span. 5 He had a helmet of bronze on his head, and he was armed with a coat of mail; the weight of the coat was five thousand shekels of bronze. 6 He had greaves of bronze on his legs and a javelin of bronze slung between his shoulders. 7 The shaft of his spear was like a weaver’s beam, and his spear’s head weighed six hundred shekels of iron, and his shield-bearer went before him.”

“The shaft of his spear was like a weaver’s beam”

Now to add to the confusion here is an extract from 1 20 Chronicles, probably written a couple of centuries after the book of Samuel. This section depicts the battles of David and his army at war, including with giants. There are many battles depicted as David was the warrior king.

“5 Again there was war with the Philistines, and Elhanan son of Jair killed Lahmi the brother of Goliath the Gittite, the shaft of whose spear was like a weaver’s beam.”

All three accounts use this same description of the shaft of a spear being like “a weaver’s beam”

Confusing isn’t it. How do we make sense of these seeming contradictions.

Biblical scholar Dan McClellan describes the slaying of Goliath as one of the biggest contradictions in the Bible. The Bible in McClellen’s understanding is not a univocal text, meaning it does not speak with one voice, nor should it be viewed this way. Instead, it is a text to be engage with. I am in great sympathy with Dan.

So, who was it who slayed the Giant Goliath, the shaft of whose spear was like a weaver’s beam?

McClellan’s highlights several academic observations that reveal that the account in 2 Samuel of Elhanan of Bethlehem slaying Goliath pre-dates the account of David in 1 Samuel. That as the legend of David grew editors of the Davidic tradition appropriated the heroic feat of Elhanan to build up the myth of David, as the heroic underdog and creating a different kind of giant mythology. He highlights that the account in Chronicles is an attempt to show Elhanan as the slayer of Goliath’s brother Lahmi. By the way there are many accounts of giants being slayed and warriors going into battle. David is viewed as this warrior king who came from nothing to lead armies with ingenuity and skill.

The central claim of McClellan is that these account’s were ways to attempt to build up the legend of David as this little man who through courage and ingenuity slayed the giants. It is a wonderful mythos and like so many heroic figures of human mythology contains truth and exaggeration. In my view knowing this does not down play the idea of courage and guile to allow the small and seemingly weaker overcoming the giant, at least sometimes. Like all heroes such figures are flawed and sometimes their supporters build them up in order enlarge the mythos.

Here Dan McClellan explores the David and Goliath contrdictions.


 
We find our own truth in such tales and this is what matters to me. I wonder who your favourite underdog is, ancient or modern. Mine is probably “Daniel-San” from “The Karate Kid”, a story clearly influenced in part by the story of David and Goliath. Or perhaps Luke in the original Star Wars film “Episode IV” “A New Hope”. Surely Luke destroying the Death Star by finding it’s one vulnerability is another example of the David and Goliath Mythos. Or perhaps Achillies from “The Odyssey”, out now at the movie theatres, is another example. Even the mightiest fall, for they have their weak spots.

I recently listened to a Podcast by Malcolm Gladwell. He was discussing his book “David and Goliath” it takes a very different view to the conventional understanding, highlighting that David’s skill actually put him at an advantage. He highlights that often in war the mightier do not prevail and the righteous more often than we would think can become victorious, not through might, but through guile and skill. He highlights that sometimes our seeming weakness can become our strength. I know myself I was often told that I was overly sensitive as a child and that I would not survive in this world if I didn’t change. There was truth in this. That said I know today that my sensitivity is one of my greatest assets in my life. It just needed to be used in the right way. It turned out to be my stone that slayed my inner Giant. The central theme that Gladwell highlights is that the very thing that puts you at a disadvantage forces you to creatively reinvent the rules of the game to amazing effect. You develop new kinds of skills to compensate for the areas where you are weakest and you approach the world with a fresh kind of offbeat vision. You play a different game and suddenly your powerlessness becomes the very root of your power. It can be disarming, it can be thrilling, it can be wildly successful.

The message at the heart of the life of Jesus teaches this. I don’t mean the mythos developed around him and often the religion built from him, but the radical message he brought. He came to reform his religion to bring it back to the people, but not through power in a conventional sense. Being an ordinary working man it prevented him from doing so in a conventional way, so he followed his own path. He used what he had, he made the most of his simple gifts. He refused conventional status and power and created new terms of success showing how the so called losers became winners and winners became losers. He said “Blessed are the peacemakers.” “Blessed are those that hunger and thirst for righteousness… blessed are the merciful… blessed are the pure in heart…” Jesus taught that success was measured by how loving and compassionate you are. Instead of accumulating wealth and power here, “store up treasure in heaven where moth and vermin do not destroy and where thieves do not break in and steal.” The problem was the worship of other things, such giants actually got in the way, “it is easier for a camel to go through the eye of a needle than for a rich person to enter the kingdom of God.” He contested all the social values of his day and invited the people into a different dimension of spiritual living.

Sadly, this is a message that has so often been lost in the religion created in his name and much religion actually. Sadly, too often the worship of other God’s and monster have taken over. Too often, as in the original story, David becomes the Goliath.

Now the David’s and Goliath’s come in many forms; they do not necessarily come in human form; the giants, the monsters, the unsurmountable obstacles incarnate in various ways. It takes faith and hope and courage to overcome them, even if we have failed many times. It is the faith, hope and courage that enables us to stand up and try once again.

Mark Nepo takes an interesting slant on this ancient Mythos. In the “Book of Awakening” he writes about the Goliath’s in life being the towering unsurmountable obstacles that we all face. The impossible dream, the heartbreaking challenges of love and loss such as grief, chronic illness and the personal traumas we all face. Every day I find myself in conversations with folk living through challenges of all kinds, and of finding the faith, hope and courage to overcome their own personal Goliath’s.

Mark Nepo describes his own battles with his own Goliath’s. After surviving a rare form of lymphoma in the 1990s, he emerged with profound insights on suffering, transformation, faith, hope and resilience. These were the equivalent to the five stones that David carefully selected. Nepo was taught the true meaning of courage, of love. He learnt that these seemingly unsurmountable obstacles were not giants or monsters to be slain, but teaches, hard lessons that compel us to strip away the things that do not really matter in life, discover where the true meaning is found and uncover the true courage at the heart of our being. Not in vainglory but as people of faith and hope and love.

We all face our mythological giants in life. I wonder what has been your greatest challenges and how you have walked through them, overcome them. Some of us maybe facing some now. What has carried you through? What were your five selected stones that helped you defeat your Goliath? What stories, mythos helped carry you through? Not what hero fought your battle, but who or what inspired you keep on taking the next step, the one of courage to keep on walking on through.

May we all find the faith, the hope and courage to face what we encounter on our journey through life. May we find the love to encourage one another to keep on, no matter how many times we might fall.

I’m going to end this with this piece.

“My Heart Fights for Those Who Can't Fight” by Sara Sutherland Dean

Someone called me a “bleeding heart liberal.” It was not intended as a compliment. However, I will always consider it one of the biggest compliments of my life.

My heart bleeds for the underdog.
My heart fights for those who can’t fight.
My heart rejoices in seeing others overcome adversity.
My heart desires love and peace for everyone.
My heart is compassionate and empathetic.
My heart sees pain in others and wants to help.
My heart believes in equality.
My heart sees the good in people.
My heart chooses action over fear.

Amen

Please find below a video devotion based on the material in this "blogspot"